“The Flight in the Desert” (1951)
The last settlement scraggled out with a barbed wire fence
And fell from sight. They crossed coyote country:
Mesquite, sage, the bunchgrass knotted in patches;
And there the prairie dog yapped in the valley;
And on the high plateau the short-armed badger
Delved his clay. But beyond that the desert,
Raw, unslakable, its perjured dominion wholly contained
In the sun’s remorseless mandate, where the dim trail
Died ahead in the watery horizon: God knows where.
And there the failures: skull of the ox,
Where the animal terror trembled on in the hollowed eyes;
The catastrophic wheel, split, sandbedded;
And the sad jawbone of a horse. These the denials
Of the retributive tribes, fiercer than pestilence,
Whose scrupulous realm this was.
Only the burro took no notice: the forefoot
Placed with the nice particularity of one
To whom the evil of the day is wholly sufficient.
Even the jocular ears marked time.
But they, the man and the anxious woman,
Who stared pinch-eyed into the settling sun,
They went forward into its denseness
All apprehensive, and would many a time have turned
But for what they carried. That brought them on.
In the gritty blanket they bore the world’s great risk,
And knew it; and kept it covered, near to the blind heart,
That hugs in a bad hour its sweetest need,
Possessed against the drawn night
That comes now, over the dead arroyos,
Cold and acrid and black.
This was the first of his goings forth into the wilderness of the world.
There was much to follow: much of portent, much of dread.
But what was so meek then and so mere, so slight and strengthless,
(Too tender, almost, to be touched)—what they nervously guarded
Guarded them. As we, each day, from the lifted chalice,
That strengthless Bread the mildest tongue subsumes,
To be taken out in the blatant kingdom
Where Herod sweats, and his deft henchmen
Riffle the tabloids—that keeps us.
Over the campfire the desert moon
Slivers the west, too chaste and cleanly
To mean hard luck. The man rattles the skillet
To take the raw edge off the silence;
The woman lifts up her heart; the Infant
Knuckles the generous breast, and feeds.
William Everson (1912-1994) was a Roman Catholic poet, teacher and printer, a significant figure in the 1950’s San Francisco Renaissance. He joined the Catholic Worker Movement in 1951, and, as Brother Antonius, was a colorful figure in the counterculture. “The Flight in the Desert” was first published in the February 1951 issue of The Catholic Worker.
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