Generally, we don’t review self-published books in our pages. Lacking professional editors, such volumes often suffer from internal repetitiveness, poor or outdated argumentation, and...
The world of The Irishman is a deeply moral one, with a strong sense of retribution and justice, but without much hope of reconciliation or redemption for its central characters.
William Blake viewed himself first not as a poet or an artist, much less a political activist, but as a prophet, a seer who glimpsed the glory of God and was forever transformed.
As a film, The Joker is exceptionally good at portraying this sin-ravaged world — a bleak, decadent civilization where the bonds of mutual care have come entirely undone.
To be sure, Springsteenism is an ambiguous religiosity. Springsteen, as Roops pronounces, “knows everything you’ve ever felt … and he can describe it better for you.” His music allows one to see the depth and profundity in ordinary life — to see even father-son conflict as “something as old as time,” as Manzoor says, and to respond with empathy. Springsteen himself is a role model of uncommon decency.
It is doubtful whether any devoted student of Old Testament can fully explain, let alone justify, the justice and ways of God portrayed in the Book of Deuteronomy. However, it must also be said that Cook’s commentary clarifies many of issues at stake and does so with striking insight, grace, and wisdom.