Commentary

Scripture, theology, ministry, mission.

Anxiety and the cross

Bobbie Carlyle has sculpted the statue of the Self Made Man, the ideal icon of the present age. It is also a myth. One wonders if an adequate interpretation would be of an anxious person trying to shed the weighty stone entrapping him.

He has her eyes

A simple question. Does Jesus have Mary’s eyes? Does he have her smile? Does he have that same odd expression she makes when she can’t quite get the jelly jar open? Jesus, Son of God and son of Mary, likely did and does look like his mother. What does that, something so simple and so familiar and so quotidian, mean for us?

Brought up short

I am an almost classic case of the evangelical on the Canterbury Trail, but I don’t see the evidence that the graceful aestheticism of liturgy “produces” gracious persons or that worshiping in the beauty of holiness makes holy persons.

Mary: an icon of human destiny in Christ

Mary shows us our own destiny as children of God and as heirs with Christ of the promises of the Father. The Blessed Virgin shows us what it looks like to be a finite creature wrapped, by grace and faith and love, in God’s own eternity.

The assumptions of the Assumption

On the face of it, Mary’s Assumption, body and soul, into heaven, is one of the most challenging traditions of the Church. One of my seminary professors loved to say that, for him, the Assumption was just too much of an assumption. It certainly presents a unique obstacle to many of our Protestant brethren. And this is in large part because the event does suggest, in a strange way, that the Resurrection and Ascension of Jesus wasn’t enough, that there had to be something more.

The future of the Church

The young people who comprise these choirs develop an ability (now rare) to articulate matters of faith with true conviction and confidence by praying and singing the Psalms and the great music of the Anglican tradition week in and week out and by being encouraged to think about the meaning of what they’re singing and to consider why a composer might have made the musical choices he did.